By Otieno Amisi When East African writers, publishers and scholars gather in Kampala later this month, they will draw attention to the art of creative writing and literary criticism. The meeting, dubbed The People's Forum, is scheduled for Kampala between November 18 - 25 this year and will be the largest such gathering of literary critics, writers and publishers from across East Africa. Two sad events have recently brought literary studies to the fore in recent weeks. The first was the death of Dr Taitta Towett late last month. Another has been the news of the death of renowned Nigerian writer Cyprian Ekwensi. Prof Chris Wanjala, a literary scholar at the University of Nairobi who also runs the popular KBC radio programme Literary Giants, says participants to the Kampala event have been invited from Kenya, Uganda, Tanzania, Rwanda and Burundi Wanjala is East Africa’s leading literary critic and chairman of the East Africa Association for Commonwealth Literature and Language studies. Cyprian Ekwensi, 86, was one of Africa’s veteran novelists. He was also a pharmacist and public commentator. The author of the popular Jagua Nana series of novels died at the Niger Foundation hospital on 5th November in Enugu where he underwent an operation for an undisclosed ailment. Initial reports were not clear if he died during or after the operation. Ekwensi’s latest contribution to the literary world was Cash on Delivery, a collection of short stories. Last year the Association of Nigerian Authors (ANA) and the Committee for Relevant Arts (CORA) feted him. Ekwensi was celebrated as the forefather of the city novel. He is believed to be the author of the earliest published fiction on social life in the Lagos Metropolis. The novelist will be remembered for his down-to-earth style of writing and his appeal to young reders. He had over 20 novels and short stories to his credit, including People of the City, Burning Grass, Beautiful Feathers, Iska, Rainmaker, Lokotown , Divided We Stand, The Motherless Baby and Gone to Mecca.
Closer home, Dr. Taitta Arap Toweett, ( 5th May1925 – 8th October 2007) was variously described as a seer, pioneer, Statesman, Poet, Writer, Scholar, Linguist, Historian, Master Politician, Traditionalist and eccentric. Besides his work as minister, he found time for scholarship and creative writing, rising to the chairmanship of Kenya Literature Bureau and Director of Kenya Times Newspaper.Toweett wrote no less than eight books, namely Epitaph on Colonialism and Shorter Poems, An African’s Year in England, A Study of Kalenjin Linguistics (1979), English-Kiswahili-Kalenjin Dictionary (1979), English-Swahili-Kalenjin Nouns Dictionary, Oral Traditional History of The Kipsigis (1980), Tears Over A Dead Cow and Other Stories and 100 Daily Essays
In reflecting these recent incidents, I got thinking, “Can business, leadership and art work together? Is it possible to link art critics and scholars? Is it possible to find the missing link between reading, writing and cultural appreciation and a sense of national pride? Can we have an East African equivalent of the incisive London Review of Books, or the authoritative New York Times Literary Supplement? Unlike in the so called golden era, art criticism is today virtually non existent. Surprisingly few modern journalists can write a sensible paragraph appreciating a novel, a new movie, a collection of paintings or photographs or a series of cartoons. Many years ago Taban lo Liyong wrote The Last Word. Then Chris Wanjala penned Season of Harvest. For Home and Freedom and Another Last Word quickly followed. But since then, there have been virtually no critiques of literature on the local scene. Literary journals are few and far between. New Age died only two years after its inception, and Kwani’s deadlines are a struggle of life and death. So why are our dons, who earn their living by expounding upon the written word, not mourning? Why are publishers moaning about people not reading, when so little is being done to encourage people to read? Why are our scholars not reviving Joliso, Darlite, or East Africa Journal? This death of literary scholarship is manifest in several ways. A decline in interest in literature, the production of sub standard books, the collapse of writers’ associations, and a folding of literary journals. One does not need to search far to see the sense of despair that has gripped the literary world, or what is left of it. Our university departments of literature have been cowed into a strange muddle called integration. Our best novels, even those that win the occasional but coveted Jomo Kenyatta Prize for Literature, are half sheng, half bad grammar and weak plots. I am talking about Marjorie Oludhe McGoye’s Kushnev Farm Wanjiru Waithaka’s The Unbroken Spirit and Kingwa Kamenchu’s To Grasp at a Star. The result is a sea of confusion that a reader recently expressed to me at a poetry reading: “I have just finished reading Kwani? 04 and I must say it was an interesting read, save for the craze with blogs and an overwhelming sense of defensiveness.”
Literary journals in East Africa have been few and far between. Besides Kwani, there isn’t much literary activity going on in Nairobi, Kampala or Dar es Salaam. Literary criticism, which is the gem of any department of literature or publishing house worth its name, is virtually lacking in the region. East Africa’s literary history is littered with bundles of journals and magazines- Darlite, Nexus, Black Orpheus, Transition, Joliso, Ghala, East African Journal- and many more. Journals, even corporate inhouse newsletters, are noble creations which nurture literary talent, create a spirit of community or merely explains a firm’s policies. Many cultural, business political or literary magazines are often born at a time when the political, economic or cultural climate is ripe- when as one would say, the winds of change blow strongly over the land, raising the level of consciousness of the people. In essence, then they represent or manifest a movement in society triggered off by the prevailing political, economic and cultural climate. Remember Njehu Gatabaki and his Nairobi Law Monthly, or Pius Nyamora and Society?It is therefore not suprising that when the cultural and political tide ebbs and people find their places in business, politics and sports, such magazines are sniffed away like candles. Much like civil society business, which died when the activists became waheshimiwa.This is principally because so few so called men of letters their founders and sponsors are artists at heart and they would rather invest their intellectual and financial input in apparently (sadly) more socially and financially rewarding activities like politics, law or trade. Perhaps if we had a vibrant literary society, bigger than Kwani? and the university of Nairobi’s department of literature put together, we could talk of a literary rain forest, overgrown with poetry, fiction and criticism. Will the men and women of letters please stand up to be counted?Otieno Amisi runs a blog on Aids, Arts and Culture, www.otienoamisi.wordpress.com He has recently published Write that Story, A Guide for Journalists and Editors.
Posted by otienoamisi
Posted by otienoamisi
Posted by otienoamisi 

